Hrmm. I do enjoy this, for the most part. I think there are a lot of interesting ideas in there, the use of dangling microphones and FX pedals adding effectively annotations to the text, the half-singing/chanting nature of Brie Larson’s delivery, the rotating stage design. I don’t, though, think it necessarily exceeds the sum of its parts, nor are those ideas necessarily well linked to what the play is trying to say. Not well versed in the play, at times I am just having to vibe out whatever’s happening and hope it will all make sense in the end. It’s a staging that is trying very hard to hit you on a gut level, and it does manage that in a way. Brie Larson is excellent, as is Stockard Channing, duh. I can imagine that, were this a two act play, the audience return rate would be interesting to watch. I think, in the end, I enjoyed it as an experience, but not quite as a play.