Ah, the dichotomy of man. He’s an asshole! There might be mitigating factors from his childhood for his assholeness! But he’s still an asshole! It’s telling who they could and could not get to talk about him on camera. There’s a lot of time spent with Chase himself and his family, which means there’s a slight veer into hagiography towards the end, especially around the perceived SNL50 snub which is presented broadly uncritically on the part of the filmmakers.